Unveiling “A New History of Animation” by Maureen Furniss: A Definitive Guide from Shock Naue Entertainment News
For enthusiasts and students delving into the world of animation, Maureen Furniss’s book, A New History of Animation, stands out as an essential addition to any reading list. Furniss, the Director of CalArts’ Experimental Animation Program, has distilled years of lecturing experience into this comprehensive volume. The book, spanning over 400 pages, meticulously traces the origins of moving images, starting from the prehistoric cave paintings of Lascaux and progressing through centuries of animated art. Furniss embarked on this project because, as she stated in a CalArts press release, she “never found one book that covered all of the aspects of history I wished to present” in her two decades of teaching animation history. This gap led her to develop an extensive database of historical notes which ultimately served as the foundation for the chapters in this new publication commissioned by Thames & Hudson.
Cover of Maureen Furniss' book 'A New History of Animation' with illustrative artwork.
The book is structured into six distinct sections, covering a wide array of topics. These range from early forms of visual entertainment like 17th-century magic lantern shows to modern techniques such as stop motion and the evolution of computer animation, culminating with a look at studios like Pixar. Furniss employs an accessible writing style, making the complex subject matter approachable for both seasoned experts and those new to animation studies. According to Sarah Boslaugh of PopMatters, Furniss “avoids using specialist jargon unless it’s really necessary, in which case she defines the terms, and writes in a straightforward voice devoid of tedious academic-speak.” Boslaugh also notes the book’s strength in connecting animation developments to broader historical events, advancements in live-action film, and trends across other art forms, providing readers with a crucial “big picture” perspective.
A notable strength of A New History of Animation is its truly global scope. Rather than concentrating solely on the history of American animation, Furniss incorporates animators and their work from diverse regions including Eastern and Western Europe, the UK, Australia, Latin America, South Africa, and beyond. This international perspective is vital for understanding the full trajectory of animated art. The analysis of these global works is contextualized within historical frameworks, helping readers grasp the various influences that have shaped the art form throughout its existence. This comprehensive approach underscores the book’s potential as a key resource in the field. Shock Naue Entertainment News aims to cover a diverse range of cultural topics, from the history of visual arts to contemporary music events like glass animals in kansas city.
Acclaimed writer Amid Amidi of Cartoon Brew has suggested that Furniss’s book “could become the definitive textbook history of the art form.” This endorsement highlights the potential impact and lasting value of A New History of Animation within academic and professional circles. The depth of research and the breadth of coverage position the book as a significant contribution to animation studies.
Maureen Furniss herself is a highly respected figure in the animation community. Beyond A New History of Animation, she is also the author of influential works such as Art in Motion: Animation Aesthetics and The Animation Bible. She founded Animation Journal and was a founding member and former chairman of the board for the Society for Animation Studies. Her significant contributions to the field have been recognized with awards from the Hollywood chapter of the International Animated Film Society, ASIFA, and Variety. Furniss holds a PhD from the University of Southern California, further solidifying her credentials as an expert in the field. To understand the full scope of modern entertainment, it’s helpful to explore various forms, including the history documented in this book and the vibrant contemporary scene, such as following artists like glass animals in kansas city.
A New History of Animation is readily available for those interested in exploring its rich content. It can be purchased on Amazon and directly through the publisher, Thames & Hudson. The book’s recent recognition, including Maureen Furniss winning the 2017 Award for Outstanding Contribution to Animation Studies from Animafest Zagreb, further attests to its scholarly merit and importance.
In conclusion, A New History of Animation by Maureen Furniss offers a meticulously researched and accessibly written account of the development of animated images across time and geography. Its comprehensive scope, global perspective, and clear writing style make it an invaluable resource for anyone seeking a deeper understanding of this dynamic art form. It serves not just as a textbook but as a compelling narrative of animation’s journey from ancient origins to its modern manifestations.
